Speaker: Naïs Virenque (Université Catholique de Louvain)
26th November 2020
17h (Portugal) / 18h (Central Europe)
To obtain the Zoom meeting ID and passcode, please send an e-mail to: fdtwiflup@gmail.com
Abstract
Around 1120, Lambert of Saint-Omer wrote the Liber floridus, a vast encyclopedic compilation of one hundred and sixty-one chapters. The Liber floridus aims at providing an overview of knowledge thanks to textual descriptions and numerous composite images, narrative as well as iconic or diagrammatic. It attests the 12th century enthusiasm for visual tools helpful for a learning reader/spectator to access wisdom. One of them has been very few studied, probably because of its tabular form and its graphical aspect, less elaborate than other diagrams of the book. It classifies eight trees called Arbores significantes beatitudinum ordines. My presentation will seek to understand whether this diagram operates as a visual tool for memorization and exegesis.
Manuscript
Poster
Bibliography
Bolzoni, Lina, « L'arte della memoria e dintorni: studi ed esperienze recenti fra storia, arte de antropologia », in Memory and Invention. Medieval and Renaissance Literature, Art and Music. Acts of an International Conference, Florence, Villa I Tatti, May 11, 2006, Anna Maria Busse Berger et Massimiliano Rossi (dir.), Florence, Leo S. Olschki, 2009, p. 151-170.
-, La rete delle immagini. Predicazione in volgare dalle origini a Bernardino da Siena, Turin, Einaudi, 2002.
Carruthers, Mary, The Book of Memory. A study of Memory on Medieval Culture, Cambridge, Cambridge University Press, 1990.
-, The Craft of Thought. Meditation, Rhetoric, and the Making of Images, 400-1200, Cambridge, Cambridge University Press, 1998.
Dahan, Gilbert, Lire la Bible au Moyen Âge. Essais d'herméneutique médiévale, Genève, Droz, 2009.
Esmeijer, Anna, Divina Quaternitas. A preliminary study in the method and application of visual exegesis, Assen, Van Gorcum et comp., 1978.
Evans, Gillian, « Two Aspects of Memoria in Eleventh and Twelfth Century Writings », in Classica et Mediaevalia, 32, 1980, p. 263-278.
Karnes, Michelle, Imagination, Meditation, and Cognition in the Middle Ages, Chicago, University of Chicago Press, 2011.
Maurice, Gilbert, « L'éloge de la Sagesse (Siracide 24) » in Revue théologique de Louvain, 5, 3, 1974, p. 332-334.
Rossi, Paolo, Clavis Universalis. Arte della memoria e logica combinatoria da Lulle a Leibniz, Il Mulino, Milan, 1960.
Sicard, Patrice, Diagrammes médiévaux et exégèse visuelle. Le Libellus de Formatione Arche de Hugues de Saint-Victor, Paris-Turnhout, Brepols, 1993.
Tesnière, Marie-Hélène, « De l?Écriture, "Jardin de la Sagesse", au "Livre des Merveilles du monde". Six modèles d?esprit encyclopédique médiéval », in Tous les savoirs du monde. Encyclopédies et bibliothèques de Sumer au xxie siècle, Roland Schaer (dir.), Paris, Bibliothèque nationale de France-Flammarion, 1996, p. 57-98.
Vans, Michael, « The Geometry of the Mind », Architectural Association Quarterly, 12, 4, 1980, p. 32-55.
Yates, Frances, The art of memory, Chicago, University of Chicago Press, 1966.
Naïs Virenque
PhD in Art History, specialized on the mnemotechnic and cognitive function of icon texts from the Middle Ages to Early Modern Times, especially when they are shaped into trees. Currently postdoctoral researcher at the Université Catholique de Louvain in the Group of Early Modern Cultural Analysis. Research project about classifying minerals into diagramas from the 13th to the 18th century. Interested in the visual circulations of knowledge and practices in Europe and comparative iconology. Associate researcher to the Center for Advanced Renaissance Studies, Tours Associate researcher to the French Research Center in Humanities and social Sciences, Prague.
https://www.cesr.cnrs.fr/node/1314
https://trarbor.hypotheses.org/